Many commentators have proposed the concept of pure, unmixed or basic colours
without reference to the mechanisms of human colour vision.
These are the psychological primaries
or intuitive primaries
that would be selected by an ordinary viewer, unschooled in any particular colour theory.
There are now indications that there may be some perceptual basis for the concept. It has even been suggested that the intuitive primaries are connected to opponent colours but there is no neurological evidence for this link.
Intuitive primaries are usually described as black, blue, red, green, yellow and white
.
In everyday language, each of these colour names has a range of meanings,
including those I use in these notes (illustrated below)
and what I call green-blue, purple-red, blue-green and orange
(illustrated above).
come betweenblack and white.
come betweenblue and red.
green looks like a combination of blue and yellow.1 I can’t imagine anyone saying that unless they’d been thoroughly schooled in the use of paints. Arnheim uses this statement to justify an unhelpful and otherwise unsubstantiated claim that painters use red, blue and yellow as
fundamental primaries, not simply as colours for mixing paint. Even the implication about mixing paints is misleading.